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:: shudder :: i'm probably gonna shoot myself for this later, but sing, post stories, whatever. but no barney i say! courtesy of artemis for your lyrics pleasure: |
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:: shudder :: i'm probably gonna shoot myself for this later, but sing, post stories, whatever. but no barney i say! courtesy of artemis for your lyrics pleasure: |
Let's see...
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Type in Song, hit enter: |
We'll probably be sleeping in the parking lot that night... cause I sure as hell know that I'm not doing the sober driver gig on NYE
when ev'rything is gettin' kind of groovy,
I call you up and ask you if you want to go
and meet and see a movie.
First you say no, you've got some plans for the night,
And then you stop, and say, "All right."
Love is kinda crazy with a spooky little girl like you.
You always keep me guessin', I never seem to know
what you are thinkin'.
And if a fella looks at you, it's for sure
your little eye will be a-winkin'.
I get confused, 'cause I don't know where I stand,
And then you smile, and hold my hand.
Love is kinda crazy
with a spooky little girl like you. Spooky!
If you decide someday to stop this little game
that you are playin', I'm gonna tell you all what my heart's been a-dyin' to be sayin'.
Just like a ghost,
you've been a-hauntin' my dreams,
So I'll propose... on Halloween.
Love is kinda crazy
with a spooky little girl like you.
Spooky, Spooky, Spooky, Oh-whoa, all right,
I said Spooky!
Please allow me to introduce myself
Im a man of wealth and taste
Ive been around for a long, long year
Stole many a mans soul and faith
And I was round when jesus christ
Had his moment of doubt and pain
Made damn sure that pilate
Washed his hands and sealed his fate
Pleased to meet you
Hope you guess my name
But whats puzzling you
Is the nature of my game
I stuck around st. petersburg
When I saw it was a time for a change
Killed the czar and his ministers
Anastasia screamed in vain
I rode a tank
Held a generals rank
When the blitzkrieg raged
And the bodies stank
Pleased to meet you
Hope you guess my name, oh yeah
Ah, whats puzzling you
Is the nature of my game, oh yeah
I watched with glee
While your kings and queens
Fought for ten decades
For the gods they made
I shouted out,
Who killed the kennedys?
When after all
It was you and me
Let me please introduce myself
Im a man of wealth and taste
And I laid traps for troubadours
Who get killed before they reached bombay
Pleased to meet you
Hope you guessed my name, oh yeah
But whats puzzling you
Is the nature of my game, oh yeah, get down, baby
Pleased to meet you
Hope you guessed my name, oh yeah
But whats confusing you
Is just the nature of my game
Just as every cop is a criminal
And all the sinners saints
As heads is tails
Just call me lucifer
cause Im in need of some restraint
So if you meet me
Have some courtesy
Have some sympathy, and some taste
Use all your well-learned politesse
Or Ill lay your soul to waste, um yeah
Pleased to meet you
Hope you guessed my name, um yeah
But whats puzzling you
Is the nature of my game, um mean it, get down
Woo, who
Oh yeah, get on down
Oh yeah
Oh yeah!
Tell me baby, whats my name
Tell me honey, can ya guess my name
Tell me baby, whats my name
I tell you one time, youre to blame
Ooo, who
Ooo, who
Ooo, who
Ooo, who, who
Ooo, who, who
Ooo, who, who
Ooo, who, who
Oh, yeah
Whats me name
Tell me, baby, whats my name
Tell me, sweetie, whats my name
Ooo, who, who
Ooo, who, who
Ooo, who, who
Ooo, who, who
Ooo, who, who
Ooo, who, who
Ooo, who, who
Oh, yeah
And lead me through the fire
Be the long awaited answer
To a long and painful fight
Truth be told I've tried my best
But somewhere along the way
I got caught up in all there was to offer
And the cost was so much more than I could bear
Though I've tried, I've fallen...
I have sunk so low
I have messed up
Better I should know
So don't come round here
And tell me I told you so...
We all begin with good intent
Love was raw and young
We believed that we could change ourselves
The past could be undone
But we carry on our backs the burden
Time always reveals
The lonely light of morning
The wound that would not heal
It's the bitter taste of losing everything
That I have held so dear.
I've fallen...
I have sunk so low
I have messed up
Better I should know
So don't come round here
And tell me I told you so...
Heaven bent to take my hand
Nowhere left to turn
I'm lost to those I thought were friends
To everyone I know
Oh they turned their heads embarassed
Pretend that they don't see
But it's one missed step
You'll slip before you know it
And there doesn't seem a way to be redeemed
Though I've tried, I've fallen...
I have sunk so low
I have messed up
Better I should know
So don't come round here
And tell me I told you so...
You're just too good to be true.
Can't take my eyes off you.
You'd be like Heaven to touch.
I wanna hold you so much.
At long last love has arrived
And I thank God I'm alive.
You're just too good to be true.
Can't take my eyes off you.
Pardon the way that I stare.
There's nothing else to compare.
The sight of you leaves me weak.
There are no words left to speak,
But if you feel like I feel,
Please let me know that it's real.
You're just too good to be true.
Can't take my eyes off you.
I love you, baby,
And if it's quite alright,
I need you, baby,
To warm a lonely night.
I love you, baby.
Trust in me when I say:
Oh, pretty baby,
Don't bring me down, I pray.
Oh, pretty baby, now that I found you, stay
And let me love you, baby.
Let me love you.
You're just too good to be true.
Can't take my eyes off you.
You'd be like Heaven to touch.
I wanna hold you so much.
At long last love has arrived
And I thank God I'm alive.
You're just too good to be true.
Can't take my eyes off you.
I love you, baby,
And if it's quite alright,
I need you, baby,
To warm a lonely night.
I love you, baby.
Trust in me when I say:
Oh, pretty baby,
Don't bring me down, I pray.
Oh, pretty baby, now that I found you, stay..
It was way better!
Awesome concert!
(BNL are proabaly to tame and lame for this thread) :coolfrown:
 :pbpt: :chagrin:
Nov. 19 @ Excel
I love when they throw stuff like that in...
back when Family Values first rolled through Target Center - during KORN's set, they had a rotating stage for "All In The Family"..... when Korn was playing they rotated around so they were facing the crowd, and vice-versa for Limp Bizkit....
In this life like weeds you're just a rock to me
You're just a rock to me, you're just a rock to me
I could have told you all that I love you
And in the places you go, you'll see the place where you're from
I could have told you all that I love you
But in the faces you meet, you'll see the place where you'll die
I could have told you all that I love you
And on the day that you die you'll see the people you met
I could have told you all that I love you
And in the faces you see, you'll see just who you've been
I wish I could have told you I love you
In this life like weeds eyes need us to see
Hearts need us to bleed
In this life like weeds you're a rock to me
I know where you're from
But where do you belong?
In this life like weeds you're the good I breed
In this life like weeds you're a rock to me
In this life like weeds you're a rock to me
I know where you're from
But where do you belong?
In this life like weeds eyes need us to see
Hearts need us to bleed
In this life like weeds you're the good I breed
All this talking all the time of the year
Fills up until there's nothing left to breathe
And you think you feel most everything
And you know that our hearts are just made out of strings
To be pulled
Strings to be pulled
So you think you've figured out everything
But we know that our hearts are just made out of strings
To be pulled
Strings to be pulled
All this talking all the time, and the air
Fills up until there's nothing left to breathe
Up until there's nothing left to speak
Up into the better parts of space
There is a middle-aged woman she's dragging her feet.
She carries baskets of clothes to a laundromat.
While the Mexican children kick rocks into the street
and they laugh in a language I don't understand.
But I love them.
Why do I love them?
So the neighborhood is dimming as I smoke on the porch
and watch the people as they pass enclosed inside their cars.
And on their faces just anger or disappointment.
I start wishing there was something I could offer them.
A consolation, what could I offer them?
When they are sad in their suburbs robots water the lawn
and everything they touch gets dusted spotless.
So they start to believe that they haven't touched anything at all.
While the cars in the driveway only multiply.
They are lost in their houses.
I have heard them sing in the shower
and making speeches to their sister on the telephone.
Saying, You come home.
Darling, you come here.
Don't stay so far away from me.
This weather has me wanting love more tangible.
Something I can hold because it's getting cold.
So lets hold up our fists to the flame in the sky
to block out the light that is reaching for our eyes
because it would blind us. It will blind us.
Now I have locked my actions in the grooves of routine.
So I may never be free of this apathy.
But I wait for a letter that is coming to me.
She sends me pictures of the ocean in an envelope.
So there still is hope.
Yes, I can be healed.
There is someone looking for what I concealed in my secret drawer,
in my pockets deep,
you will find the reasons that I can't sleep and you will still want me.
But will you still want me?
Well, I say come for the week.
You can sleep in my bed.
And then pass through my life like a dream through my head.
It will be easy. I will make it easy.
But all I have for the moment is a song to pass the time.
A melody to keep me from worrying.
Oh, some simple progression to keep my fingers busy.
And some words that are sure to come back to me and they will be laughing.
My mediocrity. My mediocrity.
Since the day I saw the cat at my door
So I came into you sweet lady
Answering your mystical call
Crystal ball on the table
Showing the future,the past
Same cat with them evil eyes
And I knew itwas a spell she cast
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you from behind
Give me the ring on your finger
Let me see the lines on your hand
I can see me a tall dark stranger
Giving you what you hadnt planned
I drank the potion she offered me
I found myself on the floor
Then I looked into those big green eyes
And I wondered what Id come there for
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you from behind
If youre out on a moonlit night
Be careful of them neighbourhood strays
Of a lady with long black hair
Tryin to win you with her feminine ways
Crystal ball on the table
Showing the future,the past
Same cat with them evil eyes
Youd better get out of there fast
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you
Shes just a devil woman
With evil on her mind
Beware the devil woman
Shes gonna get you...
The Trees Lyrics
There is unrest in the forest,
There is trouble with the trees,
For the maples want more sunlight
And the oaks ignore their pleas.
The trouble with the maples,
(And they're quite convinced they're right)
They say the oaks are just too lofty
And they grab up all the light.
But the oaks can't help their feelings
If they like the way they're made.
And they wonder why the maples
Can't be happy in their shade.
There is trouble in the forest,
And the creatures all have fled,
As the maples scream "Oppression!"
And the oaks just shake their heads
So the maples formed a union
And demanded equal rights.
"The oaks are just too greedy;
We will make them give us light."
Now there's no more oak oppression,
For they passed a noble law,
And the trees are all kept equal
By hatchet, axe, and saw.
This guys voice is so clear - he's like HD for music
Sing me a song, you're a singer
Do me a wrong, you're a bringer of evil
The devil is never a maker
The less that you give, you're a taker
So it's on and on and on, it's heaven and hell
Oh well
The lover of life's not a sinner
The ending is just a beginner
The closer you get to the meaning
The sooner you'll know that you're dreaming
So it's on and on and on, oh it's on and on and on
It goes on and on and on, Heaven and Hell
I can tell
Fool, fool
Oh uh
Yeah, yeah, yeah
Well if it seems to be real, it's illusion
For every moment of truth, there's confusion in life
Love can be seen as the answer, but nobody bleeds for the dancer
And it's on and on, on and on and on and on and on and on and on
They say that life's a carousel
Spinning fast, you've got to ride it well
The world is full of kings and queens
Who blind your eyes and steal your dreams
It's heaven and hell, oh well
And they'll tell you black is really white
The moon is just the sun at night
And when you walk in golden halls
You get to keep the gold that falls
It's heaven and hell, oh no
Fool, fool
You've got to bleed for the dancer
Fool, fool
Look for the answer
Fool, fool, fool
EXCELLENT!! :cool:
GOOD MORNING!!!!!!!!
I make my living off the evening news
Just give me something-something I can use
People love it when you lose,
They love dirty laundry
Well, I coulda been an actor, but I wound up here
I just have to look good, I dont have to be clear
Come and whisper in my ear
Give us dirty laundry
Kick em when theyre up
Kick em when theyre down
Kick em when theyre up
Kick em when theyre down
Kick em when theyre up
Kick em when theyre down
Kick em when theyre up
Kick em all around
We got the bubble-headed-bleach-blonde who
Comes on at five
She can tell you bout the plane crash with a gleam
In her eye
Its interesting when people die-
Give us dirty laundry
Can we film the operation?
Is the head dead yet?
You know, the boys in the newsroom got a
Running bet
Get the widow on the set!
We need dirty laundry
You dont really need to find out whats going on
You dont really want to know just how far its gone
Just leave well enough alone
Eat your dirty laundry
Kick em when theyre up
Kick em when theyre down
Kick em when theyre up
Kick em when theyre down
Kick em when theyre up
Kick em when theyre down
Kick em when theyre stiff
Kick em all around
Dirty little secrets
Dirty little lies
We got our dirty little fingers in everybodys pie
We love to cut you down to size
We love dirty laundry
We can do the innuendo
We can dance and sing
When its said and done we havent told you a thing
We all know that crap is king
Give us dirty laundry!
Season ticket on a one-way ride
Askin' nothin', leave me be,
Takin' everything in my stride
Don't need reason, don't need rhyme,
Ain't nothin' I would rather do
Goin' down, party time,
My friends are gonna be there, too
(I'm on the highway to Hell!
On the highway to Hell!
Highway to Hell!
I'm on the highway to Hell!
No stop signs, speed limit,
Nobody's gonna slow me down
Like a wheel, gonna spin it,
Nobody's gonna mess me 'round
Hey Satan, payin' my dues,
Playin' in a rockin' band
Hey momma, look at me,
I'm on my way to the Promised Land
Whoo!
I'm on the highway to Hell!
Highway to Hell!
I'm on the highway to Hell!
Highway to Hell, mmmmm...
Don't stop me!
Yeah! Yeah! ooh!
I'm on the Highway to Hell!
On the Highway to Hell
I'm on the Highway to Hell
On the Highway to...
(Yeahh!)
Highway to Hell
(I'm on the highway to Hell)
Highway to Hell
Highway to Hell
Highway to Hell
Highway To Hell
And i'm going down
all the way
On the Highway to Hell
--by Gorillaz
Too many days to get lost
Many, many people I've known got lost
Too many days to get lost
Many, many people I've known got lost
Too many days to get lost
Many, many people I've known got lost
Too many days to get lost
Many, many people I've known got lost
Too many days to get lost
Many, many people I've known got lost
I am sooooo excited!!
I know diggins been trying to win!
how didja do it?
found Blaze's "1 Less G in the hood" deluxe edition re-release at Cheapo (have I mentioned that I love that store?) tonight.... had to pick it up....
probably my favorite Blaze song, that he's done.
-
-
-
Blaze Ya Dead Homie & Anybody Killa - "Hood Ratz"
[Verse 1 - Blaze Ya Dead Homie]
The sun goes down, and I crept out the cemetery
Lookin' for hood rat hoes, like this bitch Mary
Known to fuck, known to suck
Every nigga that I know done been in the guts
But when it came to me, she wanted to front
Said my gear was dirty and smelled of dead funk
She probably woulda kept talkin', if I let her
But I slapped her in the mouth and put my dick in for pleasure
Then she started actin' erotic, and got excited
Story done changed and in the pussy I'm invited
She wanted me to tag the pussy, wax the pussy
Go down south, hold up bitch, get the fuck out!
(You ain't famous, bitch!) And if so, I don't give a fuck
I stay real with dirty hoes and love to get my dick a suck
Don't get it flipped ho, you's a hood rat
Only good for fuckin' and suckin' cause it's like that
[Hook]
Bitch, you's a hood rat (I'M JUST TRYIN' TO FUCK!)
Do it like a rat (FACE DOWN, ASS UP!)
Chicken head, dirty ass, no good trick
Hood rat bitch, you can (SUCK THIS DICK!)
[Verse 2 - Anybody Killa]
Old school rhymes bring back teenage memories
Like when I was datin' Betty and fuckin' Denise
Or drinkin' Sisco in the park with some hoes after dark
Playin' hide and go get it like a sport
But things change, fuck Sisco, fuck the park
We want more from the bitches wit a brand new car
Semen swallowers, orgasm hollowers
Hit it from the back chronic sack, smokin' girls with mad dollars
[Verse 3 - Blaze Ya Dead Homie]
Now it's a whole new day, different story
Ran into a bitch named Tracy and her cousin Tori
They was walkin' and they needed a ride
Pulled up to the curb and they both got inside
Cracked open the 4-0, then I took a sip
Now which one of y'all bitches suckin' my dick?
Then they knew the time, cause they down for the benefit
Hood rat hoes, pussy always warm and wet
[Hook]
Bitch, you's a hood rat (I'M JUST TRYIN' TO FUCK!)
Do it like a rat (FACE DOWN, ASS UP!)
Chicken head, dirty ass, no good trick
Hood rat bitch, you can (SUCK THIS DICK!)
[Verse 4 - Anybody Killa]
Every day in the neighborhood, it's a hood rat fest
Joggin' pants and house shoes with they hair a mess
Hoochie mamas causin' drama like a 9 to 5
(You's my baby daddy, J!) Bitch, that kid ain't mine!
I was strollin' to the liquor sto', one day
Smokin' on a big fuckin', fat J
Seen a chicken head comin', my way
It was a toss up, had this killa straight up amazed
It was a good day, never had to take the 9 off safety
Every feind that I seen was glad to pay me
5-0 ridin' by wavin' high
Without the bright lights from the ghetto bird in the sky
Today's the first time I ever seen the hood could look fine
Get this, weedman sellin' twenties for dimes
Oooh! perfect future in my dead crazy past
Dirty gangsta money gets you dirty gangsta ass!
[Hook] -x2
Bitch, you's a hood rat (I'M JUST TRYIN' TO FUCK!)
Do it like a rat (FACE DOWN, ASS UP!)
Chicken head, dirty ass, no good trick
Hood rat bitch, you can (SUCK THIS DICK!)
Al is lookin good :eyeroll: :cool: :sheepish:
I'm a sucker for a dork
:smile:
I'm smiling, she's living, she's golden
She lives for me, says she lives for me
Ovation, her own motivation
She comes round and she goes down on me
And I make her smile, like a drug for you
Do ever what you wanna do, coming over you
Keep on smiling, what we go through
One stop to the rhythm that divides you
And I speak to you like the chorus to the verse
Chop another line like a coda with a curse
Come on like a freak show takes the stage
We give them the games we play, she said...
I want something else, to get me through this
Semi-charmed kinda life, baby, baby
I want something else, I'm not listening when you say good-bye
The sky was gold, it was rose
I was taking sips of it through my nose
And I wish I could get back there, someplace back there
Smiling in the pictures you would take
Doing crystal meth, will lift you up until you break
It won't stop, I won't come down
I keep stock with the tick-tock rhythm, I bump for the drop
And then I bumped up, I took the hit that I was given
Then I bumped again, then I bumped again
I said...
How do I get back there, to the place where I fell asleep inside you
How do I get myself back to the place where you said...
I want something else, to get me through this
Semi-charmed kinda life, baby, baby
I want something else, I'm not listening when you say good-bye
I believe in the sand beneath my toes
The beach gives a feeling, an earthy feeling
I believe in the faith that grows
And the four right chords can make me cry
When I'm with you I feel like I could die
And that would be all right, all right
And when the plane came in, she said she was crashing
The velvet it rips in the city, we tripped on the urge to feel alive
Now I'm struggling to survive, those days you were wearing that velvet dress
You're the priestess, I must confess
Those little red panties they pass the test
Slide up around the belly, face down on the mattress
One
And you hold me, and we're broken
Still it's all that I wanna do, just a little now
Feel myself, head made of the ground
I'm scared, I'm not coming down
No, no
And I won't run for my life
She's got her jaws now, locked down in a smile
But nothing is all right, all right
And I want something else, to get me through this life
Baby, I want something else
Not listening when you say...
Good-bye, good-bye, good-bye
Good-bye
The sky was gold, it was rose
I was taking sips of it through my nose
And I wish I could get back there
Someplace back there, in the place we used to start
I want something else
in my life and my world and its all at my feet
got a box of good records from the back of the rack
im driving 90 miles an hour in a fucking speed trap
got a grin on my face and i know when to react
got a bag in my hand and the world at my back
try to feed the disease its not as easy as it seems
been awake for 3 days coming apart at the seams
[Chorus:]
ohh im a zombie
been awake for 3 days
ill sleep enough when im dead
in the meantime im stayin awake
wanna scream wanna play with my girlfriend all day
make a mess get undressed and FUCK it all away
fried hair fried brain bitch and complain
im driving 90 miles an hour in the passing lane
im on bottom on top im inside and im bent
changing faces in the phone booth
like i was clark kent
its alright its ok ive been awake for 3 days
doing fine but my mind is slipping away
[Chorus]
everything falls apart read the signs on the wall
peice of mind will decay
deconstruction all be dead feel no pain
intoxicate numb the mind inebriate
pull the plug! [2x]
my eyes wide open wanna pull the plug [4x]
Feel no spirit
should i forfeit
peices dont quite fit
Alice's Restaurant
By Arlo Guthrie
This song is called Alice's Restaurant, and it's about Alice, and the
restaurant, but Alice's Restaurant is not the name of the restaurant,
that's just the name of the song, and that's why I called the song Alice's
Restaurant.
You can get anything you want at Alice's Restaurant
You can get anything you want at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want at Alice's Restaurant
Now it all started two Thanksgivings ago, was on - two years ago on
Thanksgiving, when my friend and I went up to visit Alice at the
restaurant, but Alice doesn't live in the restaurant, she lives in the
church nearby the restaurant, in the bell-tower, with her husband Ray and
Fasha the dog. And livin' in the bell tower like that, they got a lot of
room downstairs where the pews used to be in. Havin' all that room,
seein' as how they took out all the pews, they decided that they didn't
have to take out their garbage for a long time.
We got up there, we found all the garbage in there, and we decided it'd be
a friendly gesture for us to take the garbage down to the city dump. So
we took the half a ton of garbage, put it in the back of a red VW
microbus, took shovels and rakes and implements of destruction and headed
on toward the city dump.
Well we got there and there was a big sign and a chain across across the
dump saying, "Closed on Thanksgiving." And we had never heard of a dump
closed on Thanksgiving before, and with tears in our eyes we drove off
into the sunset looking for another place to put the garbage.
We didn't find one. Until we came to a side road, and off the side of the
side road there was another fifteen foot cliff and at the bottom of the
cliff there was another pile of garbage. And we decided that one big pile
is better than two little piles, and rather than bring that one up we
decided to throw our's down.
That's what we did, and drove back to the church, had a thanksgiving
dinner that couldn't be beat, went to sleep and didn't get up until the
next morning, when we got a phone call from officer Obie. He said, "Kid,
we found your name on an envelope at the bottom of a half a ton of
garbage, and just wanted to know if you had any information about it." And
I said, "Yes, sir, Officer Obie, I cannot tell a lie, I put that envelope
under that garbage."
After speaking to Obie for about fourty-five minutes on the telephone we
finally arrived at the truth of the matter and said that we had to go down
and pick up the garbage, and also had to go down and speak to him at the
police officer's station. So we got in the red VW microbus with the
shovels and rakes and implements of destruction and headed on toward the
police officer's station.
Now friends, there was only one or two things that Obie coulda done at
the police station, and the first was he could have given us a medal for
being so brave and honest on the telephone, which wasn't very likely, and
we didn't expect it, and the other thing was he could have bawled us out
and told us never to be see driving garbage around the vicinity again,
which is what we expected, but when we got to the police officer's station
there was a third possibility that we hadn't even counted upon, and we was
both immediately arrested. Handcuffed. And I said "Obie, I don't think I
can pick up the garbage with these handcuffs on." He said, "Shut up, kid.
Get in the back of the patrol car."
And that's what we did, sat in the back of the patrol car and drove to the
quote Scene of the Crime unquote. I want tell you about the town of
Stockbridge, Massachusets, where this happened here, they got three stop
signs, two police officers, and one police car, but when we got to the
Scene of the Crime there was five police officers and three police cars,
being the biggest crime of the last fifty years, and everybody wanted to
get in the newspaper story about it. And they was using up all kinds of
cop equipment that they had hanging around the police officer's station.
They was taking plaster tire tracks, foot prints, dog smelling prints, and
they took twenty seven eight-by-ten colour glossy photographs with circles
and arrows and a paragraph on the back of each one explaining what each
one was to be used as evidence against us. Took pictures of the approach,
the getaway, the northwest corner the southwest corner and that's not to
mention the aerial photography.
After the ordeal, we went back to the jail. Obie said he was going to put
us in the cell. Said, "Kid, I'm going to put you in the cell, I want your
wallet and your belt." And I said, "Obie, I can understand you wanting my
wallet so I don't have any money to spend in the cell, but what do you
want my belt for?" And he said, "Kid, we don't want any hangings." I
said, "Obie, did you think I was going to hang myself for littering?"
Obie said he was making sure, and friends Obie was, cause he took out the
toilet seat so I couldn't hit myself over the head and drown, and he took
out the toilet paper so I couldn't bend the bars roll out the - roll the
toilet paper out the window, slide down the roll and have an escape. Obie
was making sure, and it was about four or five hours later that Alice
(remember Alice? It's a song about Alice), Alice came by and with a few
nasty words to Obie on the side, bailed us out of jail, and we went back
to the church, had a another thanksgiving dinner that couldn't be beat,
and didn't get up until the next morning, when we all had to go to court.
We walked in, sat down, Obie came in with the twenty seven eight-by-ten
colour glossy pictures with circles and arrows and a paragraph on the back
of each one, sat down. Man came in said, "All rise." We all stood up,
and Obie stood up with the twenty seven eight-by-ten colour glossy
pictures, and the judge walked in sat down with a seeing eye dog, and he
sat down, we sat down. Obie looked at the seeing eye dog, and then at the
twenty seven eight-by-ten colour glossy pictures with circles and arrows
and a paragraph on the back of each one, and looked at the seeing eye dog.
And then at twenty seven eight-by-ten colour glossy pictures with circles
and arrows and a paragraph on the back of each one and began to cry,
'cause Obie came to the realization that it was a typical case of American
blind justice, and there wasn't nothing he could do about it, and the
judge wasn't going to look at the twenty seven eight-by-ten colour glossy
pictures with the circles and arrows and a paragraph on the back of each
one explaining what each one was to be used as evidence against us. And
we was fined $50 and had to pick up the garbage in the snow, but thats not
what I came to tell you about.
Came to talk about the draft.
They got a building down New York City, it's called Whitehall Street,
where you walk in, you get injected, inspected, detected, infected,
neglected and selected. I went down to get my physical examination one
day, and I walked in, I sat down, got good and drunk the night before, so
I looked and felt my best when I went in that morning. `Cause I wanted to
look like the all-American kid from New York City, man I wanted, I wanted
to feel like the all-, I wanted to be the all American kid from New York,
and I walked in, sat down, I was hung down, brung down, hung up, and all
kinds o' mean nasty ugly things. And I waked in and sat down and they gave
me a piece of paper, said, "Kid, see the phsychiatrist, room 604."
And I went up there, I said, "Shrink, I want to kill. I mean, I wanna, I
wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and
guts and veins in my teeth. Eat dead burnt bodies. I mean kill, Kill,
KILL, KILL." And I started jumpin up and down yelling, "KILL, KILL," and
he started jumpin up and down with me and we was both jumping up and down
yelling, "KILL, KILL." And the sargent came over, pinned a medal on me,
sent me down the hall, said, "You're our boy."
Didn't feel too good about it.
Proceeded on down the hall gettin more injections, inspections,
detections, neglections and all kinds of stuff that they was doin' to me
at the thing there, and I was there for two hours, three hours, four
hours, I was there for a long time going through all kinds of mean nasty
ugly things and I was just having a tough time there, and they was
inspecting, injecting every single part of me, and they was leaving no
part untouched. Proceeded through, and when I finally came to the see the
last man, I walked in, walked in sat down after a whole big thing there,
and I walked up and said, "What do you want?" He said, "Kid, we only got
one question. Have you ever been arrested?"
And I proceeded to tell him the story of the Alice's Restaurant Massacre,
with full orchestration and five part harmony and stuff like that and all
the phenome... - and he stopped me right there and said, "Kid, did you ever
go to court?"
And I proceeded to tell him the story of the twenty seven eight-by-ten
colour glossy pictures with the circles and arrows and the paragraph on
the back of each one, and he stopped me right there and said, "Kid, I want
you to go and sit down on that bench that says Group W .... NOW kid!!"
And I, I walked over to the, to the bench there, and there is, Group W's
where they put you if you may not be moral enough to join the army after
committing your special crime, and there was all kinds of mean nasty ugly
looking people on the bench there. Mother rapers. Father stabbers. Father
rapers! Father rapers sitting right there on the bench next to me! And
they was mean and nasty and ugly and horrible crime-type guys sitting on the
bench next to me. And the meanest, ugliest, nastiest one, the meanest
father raper of them all, was coming over to me and he was mean 'n' ugly
'n' nasty 'n' horrible and all kind of things and he sat down next to me
and said, "Kid, whad'ya get?" I said, "I didn't get nothing, I had to pay
$50 and pick up the garbage." He said, "What were you arrested for, kid?"
And I said, "Littering." And they all moved away from me on the bench
there, and the hairy eyeball and all kinds of mean nasty things, till I
said, "And creating a nuisance." And they all came back, shook my hand,
and we had a great time on the bench, talkin about crime, mother stabbing,
father raping, all kinds of groovy things that we was talking about on the
bench. And everything was fine, we was smoking cigarettes and all kinds of
things, until the Sargeant came over, had some paper in his hand, held it
up and said.
"Kids, this-piece-of-paper's-got-47-words-37-sentences-58-words-we-wanna-
know-details-of-the-crime-time-of-the-crime-and-any-other-kind-of-thing-
you-gotta-say-pertaining-to-and-about-the-crime-I-want-to-know-arresting-
officer's-name-and-any-other-kind-of-thing-you-gotta-say", and talked for
forty-five minutes and nobody understood a word that he said, but we had
fun filling out the forms and playing with the pencils on the bench there,
and I filled out the massacre with the four part harmony, and wrote it
down there, just like it was, and everything was fine and I put down the
pencil, and I turned over the piece of paper, and there, there on the
other side, in the middle of the other side, away from everything else on
the other side, in parentheses, capital letters, quotated, read the
following words:
("KID, HAVE YOU REHABILITATED YOURSELF?")
I went over to the sargent, said, "Sargeant, you got a lot a damn gall to
ask me if I've rehabilitated myself, I mean, I mean, I mean that just, I'm
sittin' here on the bench, I mean I'm sittin here on the Group W bench
'cause you want to know if I'm moral enough join the army, burn women,
kids, houses and villages after bein' a litterbug." He looked at me and
said, "Kid, we don't like your kind, and we're gonna send you fingerprints
off to Washington."
And friends, somewhere in Washington enshrined in some little folder, is a
study in black and white of my fingerprints. And the only reason I'm
singing you this song now is cause you may know somebody in a similar
situation, or you may be in a similar situation, and if your in a
situation like that there's only one thing you can do and that's walk into
the shrink wherever you are ,just walk in say "Shrink, You can get
anything you want, at Alice's restaurant.". And walk out. You know, if
one person, just one person does it they may think he's really sick and
they won't take him. And if two people, two people do it, in harmony,
they may think they're both faggots and they won't take either of them.
And three people do it, three, can you imagine, three people walking in
singin a bar of Alice's Restaurant and walking out. They may think it's an
organization. And can you, can you imagine fifty people a day,I said
fifty people a day walking in singin a bar of Alice's Restaurant and
walking out. And friends they may thinks it's a movement.
And that's what it is , the Alice's Restaurant Anti-Massacre Movement, and
all you got to do to join is sing it the next time it come's around on the
guitar.
With feeling. So we'll wait for it to come around on the guitar, here and
sing it when it does. Here it comes.
You can get anything you want, at Alice's Restaurant
You can get anything you want, at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice's Restaurant
That was horrible. If you want to end war and stuff you got to sing loud.
I've been singing this song now for twenty five minutes. I could sing it
for another twenty five minutes. I'm not proud... or tired.
So we'll wait till it comes around again, and this time with four part
harmony and feeling.
We're just waitin' for it to come around is what we're doing.
All right now.
You can get anything you want, at Alice's Restaurant
Excepting Alice
You can get anything you want, at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice's Restaurant
Da da da da da da da dum
At Alice's Restaurant
?
Posted on Thu, Nov. 23, 2006 Pioneer Press
The real Alice behind the restaurant
Icon of Arlo Guthrie's song has made peace, at last, with her fame
Wall Street Journal
"You can get anything you want at Alice's Restaurant"
PROVINCETOWN, Mass. — The sign outside Alice Brock's art gallery gives no hint that she's the Alice in "Alice's Restaurant Massacree," the Arlo Guthrie song that has become part of the Thanksgiving holiday for many baby boomers.
"I don't keep it a secret," the salty 65-year-old said of her connection. "It's just that that's not all that I am."
For most people, though, the whole story of Brock has been a mystery ever since Guthrie released his satiric 18-minute saga 39 years ago, forever transforming her into a symbol of 1960s counterculture.
THE SONG
The song recounts Guthrie's arrest for littering in Stockbridge, Mass., after he and a friend dumped some trash following a 1965 Thanksgiving feast prepared by Brock. Guthrie, son of folk legend Woody Guthrie, says the resulting police record led to his being declared ineligible for the draft during the Vietnam War.
At the time of the arrest, Brock and her husband were living in a converted church that served as a gathering place and crash pad for Arlo Guthrie, now 59, and his hippie friends.
Although Guthrie's album containing the work never got any higher than No. 17 on the Billboard charts, the song became a touchstone of the 1960s, and it still conjures up the era for many of its aging fans. Broadcasting it on Thanksgiving Day has become a tradition at scores of radio stations. WXRT, in Chicago, has broadcast it every Thanksgiving for 33 years. Channel 16 on Sirius Satellite Radio will play it nonstop Thursday.
THE WOMAN
Its legacy has been a mixed blessing for Brock, however. At first, the attention she got helped her launch several restaurants. But a 1969 movie based on the song left her feeling like a hippie-era relic frozen in time. "It turned me into an object instead of a human being," said Brock, whose real story is more complicated.
A bright, rebellious child, the Brooklyn native spent most of her teenage years in a reform school. The early 1960s found her in Greenwich Village, where she honed her skills as a painter and caught the eye of Ray Brock, a charismatic architect and woodworker more than a dozen years her senior.
They moved to the Berkshire Mountains of western Massachusetts in 1962 and landed jobs at the Stockbridge School, she as a librarian and he as a shop teacher. Although the couple lasted only a year at the boarding school, they quickly forged strong ties with Guthrie and his fellow students there, who came to see the Brocks' church home as a sanctuary of their own.
Alice Brock sketched and painted, but she felt isolated. It didn't help that the constant visitors required her to spend more and more time in the kitchen. "Basically, the boys expected to be fed and then they would sit around the table and sing," Brock said. "I would do the dishes."
THE RESTAURANT
She opened her first restaurant, the Back Room, in 1966, aiming to get out of the house and earn some money. Though popular with local diners, the 30-seat cafe soon became another burden for Brock, who says she had no idea how to price food or make an omelet. Meanwhile, her relationship with Ray deteriorated to the point that she moved out of the church and rented a house in town.
By the time the "Alice's Restaurant" album was released, Brock had closed her restaurant and moved to Boston to share an apartment with her mother. "I felt that instead of owning it, it owned me," Brock wrote in "My Life as a Restaurant," her little-noticed 1975 memoir.
THE MOVIE
Her time in the spotlight might have ended there except that, in 1968, she got a call from Arthur Penn, the director of the 1967 hit "Bonnie and Clyde." He wanted to make a movie based on Guthrie's song.
At first, the project seemed like a lucrative lark. Brock used part of the $12,000 she got for the right to use her name to buy a Mustang convertible. Most of her younger friends signed on to play extras. "They sent a writer around to hang out with us and try to figure out what was going on," recalled real-estate developer Bill Russell, 61, of Lenox, Mass. "We made him buy all the beer."
The fun stopped when filming began. Though everyone was staying at the same motel, most had to make their own way to the set every morning while a limo fetched Guthrie, who played himself. "It took a long time to rekindle those relationships," the musician said.
Meanwhile, on a day when the actors playing Ray and Alice Brock were renewing their marriage vows for the movie, the real couple — who appeared in some scenes as extras — were finalizing their divorce in a local court. And few in the old crowd cared for the script. "They had to fill up the movie with stuff, and it was all fiction," said songwriter Rick Robbins, who was arrested with Guthrie for l
Penn, the director, did not return calls seeking comment.
"I had the feeling that we were all trying to make the best of it and that somehow we knew that our lives were never going to be the same," said Guthrie. By the early 1970s, he had grown tired of playing his song about Alice's Restaurant and, despite fan requests, eliminated it from his playlist for years.
THE COOKBOOK
Soon after the movie was finished, Ray Brock left the Berkshires. He built boats and wrote children's books like "Scooters Are Groovy and You Can Build Your Own." In 1979, he died of a heart attack in his native Virginia.
By then, Brock's fortunes also were at a turning point. Her "Alice's Restaurant Cookbook," published by Random House in 1969, went through four printings, but she didn't enjoy promoting it alone on the road and, after lending money to friends and throwing big parties, she was broke, she said.
THE SECOND RESTAURANT
In 1971, she opened a small takeout in an old liquor store in Housatonic, Mass. She eventually expanded to include a 50-seat dining room and rechristened the place Alice's Restaurant. Business was good, but some tourists and autograph-seekers came simply to gape at the famous proprietor, who sometimes stayed in the kitchen to avoid them.
Other contacts were even less welcome. Brock said Albert DeSalvo — who confessed to being the serial killer known as the Boston Strangler — wrote to ask whether her restaurant might be willing to sell the choker necklaces he was making in prison. She declined.
Frustrated by battles with local officials over her liquor license, Brock borrowed money in 1976 and moved her business to a 22-acre resort in Lenox, Mass. Dubbed Alice's at Avaloch, the property included a swimming pool and a disco, but it ultimately proved to be more than the owner could handle. In 1979, she turned the keys to the property over to her lender and left.
THE GALLERY
Staked with quarters from the closed resort's vending machines, she came to Provincetown, Mass., the artists' colony and tourist spot on the tip of Cape Cod. Until severe emphysema set in about a decade ago, she cleaned and painted houses and did prep work in local cafes.
Brock began concentrating again on her art, creating whimsical paintings of everything from eggplants to plump sunbathers. Six years ago, she opened a gallery in what was the front parlor of her home. A few weeks ago, she launched a Web site (www.alicebrock.com) that, while mostly devoted to her art, acknowledges that she's the Alice from the song.
The gallery has been a confidence builder that has helped Brock come to terms with what she means to visitors. Brock says most callers just want to share what they were doing at that long-ago time in their lives.
"You can always ring the bell," she said, "and if I'm here, I'll open the door."
Pagination