Find Song:
Browse All Lyrics
:: shudder :: i'm probably gonna shoot myself for this later, but sing, post stories, whatever. but no barney i say! courtesy of artemis for your lyrics pleasure: |
Let's see...
|
| Type in Song, hit enter: |
Leisure Suit Lyrics and Video Lounge and PPWC Karaoke Bar
...These are all very good things when you consider that the crowd of about 15,800 would have been just as happy to sit and watch Bieber play videogames for 90 minutes.
I like the reader comments too
http://www.youtube.com/watch?v=qBDjsGwQi2M
ItÂ’s just the good olÂ’ boy in me
I got my friends I got the recipe
For one hell of a life
I got my girl got my family
Got my booze and thatÂ’s all I need
For a hell of a time
Yeah, come monday morning
My head is storming, gotta get it right
IÂ’ve got my boss and IÂ’ve got my bills
But IÂ’m towing the line
So sick of that man on my case all day long
Another day in the trenches
Fpo these sons of a b!tches
Well it dont seem right
Tel keep me poor, while I keep them rich
But I got my eye on the prize
Gotta get to the weekend
Gotta make it to Friday night
Friday night yeaah come on!
ItÂ’s just the good all boy in me
I got my friends I got the recipe
For one hell of a life
I got my girl got my family
Got my booze and thatÂ’s all I need
For a hell of a time
Hall of a time!
Six oÂ’clock in the morning my head is spinning
Here we go again
Im walking the line one dat at a time
For that goddamn man
Cant wait till they bury him, six feet down
IÂ’ve got my pride and IÂ’ve got my will
I aint f@#kin around
I was born to lose but Im built for booze
Cant wait to knock them down
Gotta get to the weekend
Gotta make it to Friday night
Friday night yeaah
ItÂ’s just the good olÂ’ boy in me
I got my friends I got the recipe
For one hell of a life
I got my girl got my family
Got my booze and thatÂ’s all I need
For a hell of a time
Hall of a time!
Gotta take the red eye
till come Sunday Night yeaah
I got everything I need
Just as long as I can stay high
Come on!
ItÂ’s just the good olÂ’ boy in me
I got my friends I got the recipe
For one hell of a life
I got my girl got my family
Got my booze and thatÂ’s all I need
For a hell of a time yeaah!
ItÂ’s just the good olÂ’ boy in me
Drinking whiskey down by the creek
ItÂ’s one hell of a life
(ItÂ’s one hell of a life)
I got my girl and my boys with me
Getting stoned down on the beach
ItÂ’s one hell of a time
(ItÂ’s one hell of a time)
ThatÂ’s right!
I guess it's just there for the doctors to look up stuff on WebMD or Wikipedia :pbpt:
I'd just have assumed they would be smart enough to not share resources at all for that, talk about a serious security risk.
Watched this episode and heard the song for the first time very good song
http://www.youtube.com/watch?v=YKuNNgjNA5g&feature=related
http://www.youtube.com/watch?v=BDKNnJUP2FI&feature=related
omg and the sultry eye raising ....
(see 3:17 to 3:57)
http://www.youtube.com/watch?v=d5PoIrcyd34&feature=related
ooooh yeah :sheepish:
check him out at 2:33 yowza!
and he strips at 3:17 and I think he has a nipple cover at 3:24!?
OMG 4:11 all the way to the end! whooot! HOLY! :pbpt: :grin: :sheepish:
http://www.youtube.com/watch?v=9YdZ72OxCAU&feature=related
http://www.youtube.com/watch?v=4jgXi8bR-6k&feature=related
http://www.youtube.com/watch?v=qLgzLQcdz4M&feature=related
http://www.youtube.com/watch?v=UUb3V49e29w
I just want these all together -
here is Pop for Poppycock
http://www.youtube.com/watch?v=4vmkYo6alAI&feature=related
http://www.youtube.com/watch?v=zXBPkxOR-10
Here is his website:
http://www.princepoppycock.com/fr_poppycock.cfm
http://www.youtube.com/watch?v=KJVwfJs8Eqo
http://www.youtube.com/user/schmoyoho
My wife said, "I have had enough, that's it I'm sick, get out"
So I stumbled down to Kelly's pub across the edge of town
And told the boys my story and we had another round
Now we drink
And drink and drink
And drink and drink
And drink and fight
Yes, we drink
And drink and drink
And drink and drink
And drink and fight
And if I might see a pretty girl
I'll sleep with her tonight
Yes, we drink
And drink and drink
And drink and drink
And drink and fight
And Mary McGregor well, she was a pretty whore
She'd always greet you with a smile and never lock her door
But on the day she died all the men in town did weep
For Mary McGregor, finally got some sleep
Now we drink
And drink and drink
And drink and drink
And drink and fight
Yes, we drink
And drink and drink
And drink and drink
And drink and fight
And if I might see a pretty girl
I'll sleep with her tonight
Yes, we drink
And drink and drink
And drink and drink
And drink and fight
Well I once loved a girl, a child I'm told
I gave her me heart and she gave me a cold
So now I sit standing here out in the pouring rain
I'll stumble back to Kelly's pub and cry away me pain
Now we drink
And drink and drink
And drink and drink
And drink and fight
Yes, we drink
And drink and drink
And drink and drink
And drink and fight
And if I might see a pretty girl
I'll sleep with her tonight
Yes, we drink
And drink and drink
And drink and drink
And drink and fight
I'm no' very big an' I'm awful shy
All the lassies shout as I walk by,
"Donald, where's your troosers?"
Let the wind blow high and the wind blow low
Through the streets in ma kilt I go
All the lassies cry, "Hello!
Donald, where's your troosers?"
A lassie took me tae a ball
It was slippery in the hall
I was afeared that I may fall
For I had nae on mae troosers
I went down to London town
To have a little fun in the underground
All the ladies turned their heads around, saying,
"Donald, where's your troosers?"
The lassies love me every one
Jess' let them catch me if they can
For ye cannae put the breeks on a hielan' man, saying,
"Donald, where's your trousers?"
I had a cold and mae nose was raw
I had nae handkerchief and a'
So I lifted up ma kilt jus' to give it a blaw
"Whew! Donald, where's your troosers?"
Tae wear the kilt is ma delight
And it no' be wrong. I know it's right
How the folks back home would get afright
If they saw me wearin' troosers! Donald, where's your troosers?
I went the other night at Roy Wilks and had a helluva time!
How was it for you?
Even though its reputation is for being volatile and voluminous, a lot of the best heavy metal is actually very precise and methodical.
Case in point: Saturday's sold-out concert with veteran thrash bands Slayer, Megadeth and Testament at Roy Wilkins Auditorium in St. Paul. The "American Carnage Tour" had all the high-revving thrills and guttural growling of a NASCAR race, but its stop-on-a-dime time changes and high-soaring guitar work were more in line with a hard-fought PGA golf tournament.
In the crowd, of course, the four-hour shred fest was pure mayhem from start to finish. The 4,500 fans burst into wildfire-like mosh pits on the floor of the auditorium, while a sea of banging heads rippled furiously across the seated balcony. Amid the chaos were signs of courtesy and the metalhead audience's maturity. For instance, when one overzealous mosher somehow lost his combat boot, a woman held it above her head so he could find it. Fans also good-naturedly parted like the Red Sea when paramedics had to make their way toward the pit during Slayer's set. Such civility.
On stage, though, the bands themselves looked decidedly composed and focused.
Their relative sedateness might have been a sign of the musicians' old-dog status (old, at least, in bruising thrash-metal terms). Saturday's concert had to be postponed from February for Slayer vocalist/bassist Tom Araya, 49, to recuperate from back surgery. Megadeth frontman Dave Mustaine, 48, also recently bounced back from a nerve injury that sidelined him from playing guitar.
But you'd be hard-pressed to see younger bands pull off the technical feats achieved Saturday. Both Slayer and Megadeth tackled the rather daunting task of re-creating one of their most accomplished, impressive if not best-know albums in their entirety -- and playing with nearly the same intensity as when they recorded them 20 years ago.
Even though its reputation is for being volatile and voluminous, a lot of the best heavy metal is actually very precise and methodical.
Case in point: Saturday's sold-out concert with veteran thrash bands Slayer, Megadeth and Testament at Roy Wilkins Auditorium in St. Paul. The "American Carnage Tour" had all the high-revving thrills and guttural growling of a NASCAR race, but its stop-on-a-dime time changes and high-soaring guitar work were more in line with a hard-fought PGA golf tournament.
In the crowd, of course, the four-hour shred fest was pure mayhem from start to finish. The 4,500 fans burst into wildfire-like mosh pits on the floor of the auditorium, while a sea of banging heads rippled furiously across the seated balcony. Amid the chaos were signs of courtesy and the metalhead audience's maturity. For instance, when one overzealous mosher somehow lost his combat boot, a woman held it above her head so he could find it. Fans also good-naturedly parted like the Red Sea when paramedics had to make their way toward the pit during Slayer's set. Such civility.
On stage, though, the bands themselves looked decidedly composed and focused.
Their relative sedateness might have been a sign of the musicians' old-dog status (old, at least, in bruising thrash-metal terms). Saturday's concert had to be postponed from February for Slayer vocalist/bassist Tom Araya, 49, to recuperate from back surgery. Megadeth frontman Dave Mustaine, 48, also recently bounced back from a nerve injury that sidelined him from playing guitar.
But you'd be hard-pressed to see younger bands pull off the technical feats achieved Saturday. Both Slayer and Megadeth tackled the rather daunting task of re-creating one of their most accomplished, impressive if not best-know albums in their entirety -- and playing with nearly the same intensity as when they recorded them 20 years ago.
Slayer made a strong case for 1990's "Seasons in the Abyss" being on par with its more revered records, "Reign in Blood" and "South of Heaven." Dueling guitarists Kerry King and Jeff Hanneman left the crowd slack-jawed in "Spirit in Black." The clearly recuperated Araya was left smiling as the band sharply shifted from the album's slowest, grungiest track, "Dead Skin Mask," straight into its most rapid and rabid song, "Hallowed Point."
Once "Seasons" concluded, Slayer took just about a minute to catch its breath before going back even further into its catalog for the four-song finale, which included "South of Heaven," "Raining Blood" and "Angel of Death."
Megadeth similarly tacked four songs on after meticulously reviving its "Rust in Peace" album. The highlights from the record were the bombastic "Hangar 18" and the slow-stewing "Dawn Patrol," for which the band's skeletal album-cover mascot strolled on stage. Mustaine & Co. finished big with "Peace Sells" and showed its most brutal side in "Headcrusher," which the Christian-converted Mustaine introduced as being about "taking somebody's head, sticking it in a vice and crushing the [expletive] out of it."
Geez. Even the song descriptions were exact and carefully crafted at this particular metal show.
Megadeth's frontman is now an author and (gasp!) a Christian convert.
He's still the leader of one of the hardest, most revered thrash-metal bands of all time, but Dave Mustaine has otherwise turned into quite a softie. That was pretty clear Monday as the Megadeth frontman avoided controversy and stuck to the positive in a phone interview from Connecticut. Not only was he performing that night with fellow thrash vets Slayer and Testament (a tour coming Saturday to Roy Wilkins Auditorium), but he also had just finished a book-signing gig (he's doing one here Saturday at Borders in Rosedale).
"Mustaine: a Heavy Metal Memoir" debuted at No. 15 on the New York Times bestseller list last week. In it, the 48-year-old native Californian discusses his much-ballyhooed firing from a pre-fame Metallica, his struggles with sobriety, his recovery from a nerve injury that threatened his guitar-playing abilities and his prodigal-son conversion to Christianity. Not discussed in the book are his recent reunion with Megadeth bassist/co-founder Dave Ellefson, nor the short tour that Mustaine & Co. recently pulled off in Europe with Metallica, Slayer and Anthrax, aka the Big Four.
Q Any memories stand out from playing the Twin Cities so many times over the years?
A David Ellefson is from Jackson, Minn., so we've always had fun coming back there and playing. Usually when you go to a city that has family there, it feels a little bit like a homecoming, and I think the audience feels that, too.
Q You're on the charts again, but instead of Billboard it's the New York Times bestseller list. How does that compare?
A It's a totally different kind of satisfaction. My book, I had no intention of being on the list. Basically, I wanted it to be a story about my life and about personal victory and encouragement for people. It's just me sitting around the campfire telling my story, leaving something behind worth telling. It's pretty much the whole story, except a lot has happened in the past eight or nine months since the book was finished: Dave Ellefson coming back and the Big Four stuff. So much great stuff.
Q The book sets a different tone on your firing from Metallica. You didn't come off so hot in the movie "Some Kind of Monster." Nobody did, really. Was it your intention to set the record straight?
A No, no, no, that wasn't the intention. We're totally friends now, have been for years. There's no animosity. It's the press who keeps that feud going. People still look at it based on how it used to be, but we were kids back then. There's nothing there anymore.
Q But there's clearly still tension in the movie. Was that not a factor in writing the book?
A Basically, I just wanted to tell that story without hurting anybody and without saving my own skin at other people's expenses. I wanted to keep it, you know, really godly in the way I was handling myself. I think that's why this Big Four thing was able to happen. James [Hetfield] and I have talked about the past. I apologized to him for some stuff, and he apologized to me. We had a wonderful time on this Big Four adventure.
Q Rumor has it the Big Four might be a U.S. tour next year.
A Who'd you hear that from [laughs]? I'm not exactly sure. That's nothing that could be verified from my camp. If they come and ask us, I'm sure we'd agree to it.
Q Is there still a healthy rivalry between the Big Four or you, Slayer and Testament?
A I really don't want to talk about rivalries. There are so many more positive things to talk about.
Q OK, let's talk about this current tour. How hard was it to get it back on track after postponing the dates?
A Tom [Araya, of Slayer] had an injury that probably stemmed from playing, a neck injury. He had one procedure done and then another. He seems to be feeling good now. He's sounding good. It's been fun playing with those guys. I'm encouraged about our friendship redeveloping.
Q Who made the decision for you and Slayer to each play one whole album on this tour ["Rust in Peace" and "Seasons in the Abyss," respectively]?
A It was the 20th anniversary of both those records, so it was a pretty simple decision. It's been fun. A lot of the naysayers said we couldn't play like that anymore. I wrote that album, so why would I not be able to play it? It's not just like running a race. It's mental. It's dexterity. And it's finesse.
When my arm got injured, I had to learn how to play again, which was scary. That was the reason I broke Megadeth up. It wasn't because I didn't want to play. The doctors told me I was never going to play again. Luckily for me, they were wrong.
Q You also healed your relations with Dave Ellefson. How did that happen?
A When my arm got hurt, I did a lot of soul-searching. I wasn't happy with other things in my career. I had people working for me who wouldn't listen to me, so I [fired] all of them. It was very liberating, and the result was I thought of other people I've worked with.
There aren't a lot of things I regret doing to get where I am in my career, but I do wish I had a couple mulligans on the way I treated some people. One of them is [original drummer] Gar Samuelson, who I wish I had hung out with more before he died. Another is Dave Ellefson, who I'm back with now.
Q Your book openly addresses the role Christianity plays in your life now. Any worries of that ruining your reputation as a thrash-metal kingpin?
A Nope. I've been talking about God ever since the first record. There was "Looking Down the Cross" on that first record. The second record, the first line is, "What do you mean I don't believe in God? I talk to him every day." People just kind of [glossed] over that stuff and didn't think about it.
There's a danger when you're singing heavy-metal lyrics of not really knowing what you're singing about, like black magic. That stuff is totally for real. We have a song I just won't play anymore, "The Conjuring," because when I was a kid I got into that stuff and put a hex on somebody and thought it would be cool to write a song about it. I wish I hadn't.
With songs like that, people accuse me of being a hypocrite. Well, who needed a life-changing experience more than somebody like me? I definitely welcomed the change [to Christianity], and it has clearly improved me. I still have rough days. Being on the road is very difficult, but I still try to do good every day and feel really, really lucky to still be doing this.
Who knew we saw a Christian band at the Metal Carnage tour J. Heh
Incidentally, I rather enjoyed the set list as I didn't see them when they came a few months back so it was a 'best of' in my book. Which was perfect for the venue. They need to come back every year. And I'll be there time and time again. Especially for the pyro
Wait a second… I thought Kiss was supposed to be all about forgetting everything else going on in the world and just dedicating yourself to good, clean, fun rock ‘n’ roll. So what was the deal with the check for $340,233 – including $1/ticket raised off Saturday’s fair grandstand concert – to the Wounded Warriors Care Project , which the band delivered to some Marines at the start of the encore? Paul Stanley even gave a speech about how “the government doesn’t treat these soldiers with proper respect.” This was easily one of the coolest things I’ve ever seen at a Kiss concert, and definitely the most out-of-the-ordinary part in this particular concert. Say yeah!
Aside from the mid-era songs that I already put down in the full review, the rest of Saturday’s concert was pretty predictable. Of course, we can and should always expect “Detroit Rock City,” “Love Gun,” “Cold Gin,” “Black Diamond” and “R&R All Nite,” all of which really sounded as pumped as ever. But I didn’t need to hear “100,000 Years,” “Calling Dr. Love,” “Let Me Go Rock ‘n’ Roll,” “I Love It Loud” and “Lick It Up” again after the band already played them last time through at the Target Center. It wound up being pretty fun to have “Beth” back this time. So how about “Nothin’ To Lose,” too? Or “King of the Night Time World,” “Rock Bottom,” “Got to Choose” or something totally unexpected such as “Ladies Room” or “Do You Love Me?” Just a little more variety in the set lists is all I’m asking for. Everything else about the show (production, sound, energy, etc.) was grade-A Kiss, and I hope they make it back to the fair again. Here’s how the set list went down:
Modern Day Delilah / Cold Gin / Let Me Go, Rock 'N' Roll / Firehouse / Say Yeah / Deuce / Crazy Crazy Nights / Calling Dr. Love / Shock Me / I'm An Animal / 100,000 Years / I Love It Loud / Love Gun / Black Diamond / Detroit Rock City ENCORE: Beth / Lick It Up / Shout It Out Loud / I Was Made For Lovin' You / God Gave Rock 'n' Roll to You / Rock and Roll All Nite
that is truely funny, and to think
we were just talking about what a 'prodigal son' was the other day.
but he also had just finished a book-signing gig (he's doing one here Saturday at Borders in Rosedale).
darn we missed this :frown:
I was made for loving you bbbbaybee
http://www.youtube.com/watch?v=qPdQDzbBxNM
these tickets are on ticketmaster
not a scalper
Meet & Greet package includes
Row 2
Seats 1 and 2
FLR 1
Main floor
Ticket Price US $997.99 x 2
Price Details Facility Charge US $2.00 x 2
SUB TOTAL US $1,999.98
little fun for my Slayer fans out there!!
great song! to go with this nice little video!
carry one with the non swearing swear words.
Here is an ear worm for yah that's getting to me right now....
"Five hundred 25 thousand six hundred minutes..."
aaaahhhhhhhhhh!!!
And thanks for the fricken earworm! I'm not shopping at Macy's this year just because of that tune and it's timing. heh
You're Welcome.
why do I feel the need to rent that movie now? :pbpt:
Alice's Restaurant Live
Alice's Restaurant Illustrated
You know I'm the coolest
That's ever come around
You'll notice things get hotter
whenever I'm in town
I mean I gotta be the coolest
who else could it be?
Everybody knows who's really cool
Me
Let's face it, I'm the greatest
I'm Mr. Number One
My hometown built a statue
To their favorite son
I mean I gotta be the greatest
I'm just a ball of fun
I mean I'm definitely the greatest
I'm also the coolest
You can't leave a package like me
Sitting on no shelf
Let me tell you I'm so cool sonny
I'm gonna save a little for myself
Baby, come over here a minute
Who is the coolest?
I mean how do I look?
Yeah.
You can't leave a package like me
Sitting on no shelf
Let me tell you I'm so cool sonny
I'm gonna save a little for myself
You know the day I was born
There were these four dudes up on a hill
They said they saw this star
Hanging out over town
And the whole world seemed to stand still
It made the Sunday papers
I guess it proves for sure
I am the coolest
I am the greatest
I am the baddest
I am the smoothest
I'm just the best
Sand dancer come on
Ah yeah
Right